Leo m bundy bass clarinet 4 mouthpiece
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The collection consists of papers, photographs, media, digital materials, wood samples, clarinet mouth pieces, and lab equipment Benade, which deal not only wiht wind instruments, but also room acoustics, and the interplay between acoustical physics and the mechanisms of auditory processing. MARL consists of the research materials from acousticians around the world who were dedicated to studying different aspects of violin making, which make up the Catgut Acoustical Society papers, and the archives of three prominent wind instrument acousticians of our time, John Backus, John W. Hutchins and devoted to the study of violin making Stanford’s Center for Computer Research in Music Acoustics (CCRMA), and Virginia Benade, the widow of the wind instrument acoustician Arthur Benade. The collection, established in 1996, came about through the joint effort of the representatives of the Catgut Acoustical Society (CAS), founded by Carleen M. The MARL collection is dedicated to the study of all aspects of musical acoustics. Musical Acoustics Research Library (MARL) Get the basics of embouchure tone breathing breath control etc, etc under your belt, then you'll be in a much better position to determine what kind of mouthpiece will work for you Acoustics Research Library (MARL)Guide to the records of the Musical Acoustics Research Library (MARL) M1711Musical Acoustics Research Library (MARL)Processed by Andrea CastilloDepartment of Special Collections and University ArchivesAugust 2011Green Library557 Escondido MallStanford This finding aid was produced using ArchivesSpace on 14:48:01 -0700.Describing Archives: A Content Standardĭepartment of Special Collections and University Archives At this point I'm not convinced you need one. He/she would be able to help you in eventually picking out a mouthpiece. One last thing about mouthpieces: Given that you're just starting out, have you found a teacher yet? It strikes me that finding a teacher would be a helpful step. If that's not an option, then making sure the shop has a really good return policy is key to not being out your hard-earned $$. Play-testing before buying is always ideal. Whatever the case, mouthpieces whether for clarinet, saxophone, trumpet, or tuba, are a very personal decision. Now it could have been me it could have been my circa late 1950s Richard Keilwerth-made bass clarinet or it could have been a combo of the two. Based on what bass clarinet players all say, the Vandoren ought to have worked for me. The moral of this story is simply this: You have to try out a mouthpiece before you can determine whether it works for you or not. It plays beautifully even across the entire range of the horn, and intonation is simply a dream as well. I brought it home, and it is great on the Richard Keilwerth bass clarinet of mine. Then about 3 months ago I was looking through some boxes my tech keeps vintage mouthpieces in at his shop, and I happened across a Geo Bundy bass clarinet piece.
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After trying his however, I found it didn't work for me nearly as well as both the MP's that came with the clarinet. I tried the Selmer, the no-name brand, and my tech's Vandoren-thinking I was going to order my own Vandoren. When I bought my bass clarinet from my tech just over a year ago-after not playing bass since university-it came with 2 mouthpieces: a Selmer HS* and the original no-name brand. But you know what? I saved myself a lot of money by trying my tech's. Secondly, about your mouthpiece question: I know everyone says that Vandoren is the go-to bass clarinet piece. Why is it important you ask? Depending on what the angle of the neck is-and your horn is decades newer than mind, so it likely is somewhat better to start with-most bass clarinet teachers will tell you that a strap used in combination with the peg will help you get the mouthpiece at the optimum angle. Even if they don't have one in one their back room that fits your horn, if you could figure out which student model brand peg (if any) fits your Selmer, then if necessary you could always order a new brand X peg, and that would likely be much cheaper than getting a new Selmer one.
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I don't have a Selmer bass, so I don't know what the opening for that peg is, but with school instrument repair season being in full swing, there should be lots of horn pegs in the shops for techs to try out on your bass. All it is, is a piece of metal with a rubber foot that fits through the opening, and is held in place by the thumb screw at the bell. It might not be a Selmer peg, but it doesn't need to be.
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You should ask you tech if he/she has one in a old donor parts horn case that you could buy.
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A couple of things come to mind for your situation.įirst about your lack of a peg: Your clarinet did have one, but obviously it was separated from your clarinet at some point prior to you buying it.